Samudraagam: Group Exhibition

24 June - 19 July 2026
  • Poornima’s coral inspired installation reflects on themes of time, mortality, and regeneration through the fragile beauty of marine ecosystems. Ravindu’s Manimekala series reimagines the sea as a female deity, exploring the symbolic relationship between sea, land, and human existence. Hasidu’s Kaurava series examines the Karava community’s historical connection to maritime life and coastal culture. 

     

    Responding to the X-Press Pearl disaster, Janaka’s Choking the Sea addresses environmental loss and ecological vulnerability. Mahesh’s Eternal Silence contemplates the sea as a space of tranquility and introspection. Prasad’s From the Starting Point investigates maritime histories, navigation, and geopolitical realities, while Chatherine’s Soul series explores memory, identity, and cultural inheritance through her family’s fishing heritage in Jaffna.

  • Janaka Herath, Choking the Blue I, 2026

    Janaka Herath

    Choking the Blue I, 2026

    In Choking the Blue, Janaka Herath confronts the fragile state of the ocean through a response to the X Press Pearl disaster and the wider issue of marine pollution in Sri Lanka. Once celebrated as a symbol of life, abundance, and ecological balance, the ocean is presented as a vulnerable environment increasingl threatened by human activity. The series reflects on the lasting environmental consequences of pollution and the urgent need to protect marine ecosystems. 

    • Janaka Herath, "Choking the Blue V , 2026
      Janaka Herath, "Choking the Blue V , 2026
    • Janaka Herath, Choking the Blue IV , 2026
      Janaka Herath, Choking the Blue IV , 2026
    • Janaka Herath, Choking the Blue VIII,2026 , 2026
      Janaka Herath, Choking the Blue VIII,2026 , 2026
    • Janaka Herath, Choking the Blue X,2026 , 2026
      Janaka Herath, Choking the Blue X,2026 , 2026
    • Janaka Herath, Choking the Blue XVIII , 2026
      Janaka Herath, Choking the Blue XVIII , 2026
  • Janaka Herath, Choking the Blue II , 2026

    Janaka Herath

    Choking the Blue II , 2026

    Through ceramic sculpture, Herath depicts fish, coral, and other marine organisms whose forms appear engulfed by oil and contamination. Employing the raku firing technique, he creates crackled surfaces and darkened textures that evoke the aftermath of ecological destruction. The unpredictable nature of raku mirrors the fragility of marine environments facing ongoing environmental crises. 

  • Ravindu Sandaruwan, Manimekala iii, 2026

    Ravindu Sandaruwan

    Manimekala iii, 2026

    Inspired by the mystery, beauty, and power of the ocean, Ravindu Sandaruwan’s Manimekala series transforms the sea into a poetic and symbolic presence. Drawing from Sri Lankan coastal beliefs, he personifies the ocean as Manimekala, a female deity associated with protection, endurance, and sorrow, while the land is represented as a male figure. The recurring Araliya flower serves as a symbolic motif that connects these intertwined worlds. 

  • Ravindu Sandaruwan, Manimekala iv, 2026

    Ravindu Sandaruwan

    Manimekala iv, 2026
    Watercolor on paper
    53 x 73 cm
    20 7/8 x 28 3/4 in
  • Ravindu Sandaruwan, Manimekala VII, 2026
  • Prasad Hettiarachchi, From the starting point II, 2026

    Prasad Hettiarachchi

    From the starting point II, 2026

    In From the Starting Point, Prasad Hettiarachchi approaches the sea as a political landscape. Through references to the Colombo Harbor, Port City development, and the Chatham Street Clock Tower, he examines how coastal spaces become entangled with trade, power, urban expansion, and social change. 

     

    Working in watercolor on paper, he employs a restrained and minimalist visual language. His experience in the conservation of traditional temple paintings informs his attention to detail, surface, and composition, shaping an approach that balances subtlety with conceptual depth.

    • Prasad Hettiarachchi, From the starting point I, 2026
      Prasad Hettiarachchi, From the starting point I, 2026
    • Prasad Hettiarachchi, From the starting point III, 2026
      Prasad Hettiarachchi, From the starting point III, 2026
  • CATHARINA DANIAL

    The sea serves as both subject and witness within Catharina's practice. Growing up in Jaffna, she was inspired by her grandfather's life as a fisherman and diver (sammathi), whose stories shaped her understanding of the ocean as a space of memory, healing, and belonging. Drawing from personal experience and the cultural histories of Northern Sri Lanka, her work reflects on how the sea carries stories across generations. 

    Soul (2021–ongoing) explores memory and the subconscious through a process informed by art therapy. 

    Using mixed media on congro board, transparent sheets, drawing, painting, and coral-inspired cut forms, Catharina creates layered compositions that evoke the fluid nature of memory. Through color, texture, and abstraction, she transforms personal experiences into visual narratives of resilience and renewal.

    • Catharina Danial Soul IV , 2026 Mixed medium on congro board 32 x 23 cm 12 5/8 x 9 in
      Catharina Danial
      Soul IV , 2026
      Mixed medium on congro board
      32 x 23 cm
      12 5/8 x 9 in
    • Catharina Danial Soul I , 2026 Mixed medium on congro board 32 x 23 cm 12 5/8 x 9 in
      Catharina Danial
      Soul I , 2026
      Mixed medium on congro board
      32 x 23 cm
      12 5/8 x 9 in
    • Catharina Danial Soul III , 2026 Mixed medium on congro board 32 x 23 cm 12 5/8 x 9 in
      Catharina Danial
      Soul III , 2026
      Mixed medium on congro board
      32 x 23 cm
      12 5/8 x 9 in
    • Catharina Danial Soul VI , 2026 Mixed medium on congro board 32 x 23 cm 12 5/8 x 9 in
      Catharina Danial
      Soul VI , 2026
      Mixed medium on congro board
      32 x 23 cm
      12 5/8 x 9 in
  • Hasindu Jayasinghe, Kaurava V, 2026

    Hasindu Jayasinghe

    Kaurava V, 2026

    For Hasindu Jayasinghe, the ocean is more than a landscape it is a living archive of memory, labour, belief, and cultural identity. Drawing inspiration from the Karava community of Sri Lanka's coastal regions, his practice explores the relationship between people and the sea. Positioned between land and water, these communities carry generations of knowledge, traditions, and stories that continue to shape their sense of belonging and collective identity.

    • Hasindu Jayasinghe, Kaurava II, 2026
      Hasindu Jayasinghe, Kaurava II, 2026
    • Hasindu Jayasinghe, Kaurava III, 2026
      Hasindu Jayasinghe, Kaurava III, 2026
    • Hasindu Jayasinghe, Kaurava IV, 2026
      Hasindu Jayasinghe, Kaurava IV, 2026
  • Hasindu Jayasinghe, Kaurava VI, 2026

    Hasindu Jayasinghe

    Kaurava VI, 2026

    Working primarily with textiles, Jayasinghe translates these coastal narratives through layered fabric surfaces enriched with hand embroidery, sewing, and hand-stitching techniques. Using organic cotton, natural and synthetic dyes, and experimental dyeing processes developed through his own practice, he creates tactile compositions that evoke traces of salt, movement, ritual, and transformation. Stitching becomes both a mark-making process and a means of recording memory within the material. 

  • Mahesh Jayawardana

    Beneath the silence of the deep sea lies a space of reflection, memory, and emotional discovery. In Eternal Silence, Mahesh Jayawardana draws upon the ocean's calm depths as a metaphor for the inner self. The series explores dreams, memories, and emotions that exist beyond language, transforming personal experiences into visual form. For the artist, the sea becomes a contemplative space through which feelings surface, offering moments of self-awareness and connection. 

  • Mahesh Jayawardana, Eternal silence IV, 2026